18 November 2012

Pélérinage balzacien: rue Neuve-Sainte-Geneviève

Another of the touristic perambulations which I undertook in October might better be described as a literary pilgrimage.  The rue Tournefort is deep in the 5e arrondissement, running southwards from the Panthéon, and Honoré de Balzac, the great nineteenth-century novelist whom I might have mentioned once or twice, knew it well enough to set Le Père Goriot there. 


 
Madame Vauquer, née de Conflans, est une vieille femme qui, depuis quarante ans, tient à Paris une pension bourgeoise établie rue Neuve-Sainte-Geneviève, entre le quartier latin et le faubourg Saint-Marcel.

My effort at a translation: Madame Vauquer, née  de Conflans, is an old woman who for forty years has kept a boarding house in the rue Neuve-Sainte-Geneviève, between the Latin Quarter and the inner suburb of  Saint-Marcel.
  


Much has changed, mercifully:



           ...les maisons y sont mornes, les murailles y sentent la prison....  Nul quartier de             Paris n’est plus horrible, ni, disons-le, plus inconnu.'

    ...the houses there are grim; the walls suggest a prison... No part of Paris is more horrible nor, it      might be said, more unknown.


Much has not, though:

A brusque and rude slope


Elle est située dans le bas de la rue Neuve-Sainte-Geneviève, à l’endroit où le terrain s’abaisse vers la rue de l’Arbalète par une pente si brusque et si rude que les chevaux la montent ou la descendent rarement.

 [The boarding-house] is to be found at the bottom of the rue Neuve-Sainte-Geneviève, where the land drops down towards the rue de l’Arbalète so abruptly and roughly that horses rarely go up or down it.


What is also striking about his description of the area are the 'tons jaunes' and sombre colours: he described the street as a 'cadre de bronze', a picture-frame of bronze well-suited to the picture he was about to paint.  Much of what inspired this description must have disappeared with the smartening-up of the street, but there is still a papery yellowness about it.  Certainly the relative quietude remains.

It is generally accepted that the house to the left is the Maison Vauquer, also described in meticulous detail by Balzac.  Here he played out the first episode of his great drama: here Rastignac planned his conquest of Parisian society, here Goriot, because of his compulsive generosity, had to move progressively further upstairs as he gradually tightened his belt; here Vautrin met his come-uppance!  It is fascinating to  find the settings of books or places frequented by authors and by people I admire.
  
'La façade de la pension donne sur un jardinet, en sorte que la maison tombe à angle droit sur la rue Neuve-Sainte-Geneviève, où vous la voyez coupée dans sa profondeur.

   The front of the house overlooks a little garden, and it is at a right angle to the rue Neuve-Sainte-  Geneviève,  which cuts it in section from top to bottom.





In an imminent post I will follow the rue Neuve-Sainte-Geneviève to its namesake, the tomb of St. Geneviève at the church of St-Etienne-du-Mont.

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